
{There and Back Again cranks up as the fans in the arena are going crazy for nCw's Collision. The camera pans the arena showing the crowd and their signs before focusing on Kelly and Eric. Fans reaching over the rails holding signs can be seen behind them as they prepare to introduce the show.}
Eric Hardy: Welcome back fans, we have a great show lined up tonight, and we could possibly crown new tag team champions, and we have a main event that could headline any pay per view.
Kelly Fox: That's right, you'll definitely be getting your money's worth tonight.
Eric Hardy: That's for sure, so since we have a huge show in front of us, lets get straight to the action.
All the lights in the arena turn a hazy purple as the into guitar riff to 'A Certain Shade of Green' by Incubus hits the speakers. The titantron shows various scenes of Chris Berra and The Blade Buster being performed. Pyros erupt from the stage as the song kicks in and Chris Berra's name shows on the screen.
Eric Hardy: "Here we go! The first match of the night will prove to be one heck of an entertaining bout."
Chris Berra walks out onto the stage and raises his fists in the air with a cocky grin on his face. He starts to walk down the ring, slightly head-banging to his theme music. Fans show a mixed reaction to Berra and the camera scans the crowd, homing in on an "nCw Fears The Blade Buster" sign.
Berra slides under the bottom rope of the ring and quickly runs onto the top turnbuckle as the chorus to his song hits. He throws his hands out sideways and poses for the crowd. Then, after a moment, descends back into the squared circle and awaits his opponent.
Kelly Fox: "Justin Marsham has an extensive record outside nCw, but he's going to face his first nCw loss tonight. I guarantee it!"
Coheed and Cambria's "Welcome Home" hits the speakers and The Epitome of Technical Finesse emerges from beyond the black curtains. Marsham's step is at a methodical pace. His eyes fix upon the ring at the bottom of the ramp, engrossed in the possibilities that may unfold within the match. He offers no acknowledgment to the fans. Whether they cheer or jeer him is of no interest. He is here for personal gain, not to please the audience; and oh how he loves to hear their pain when he victimizes their beloved favorites. He slides into the ring under the ropes then heads to his respective corner.
Marsham and Berra lock eyes as the referee assigned to the match, Norman Dafoe, checks to see if both competitors are ready. Both men are focused and eager to start Collision off with an amazing match.
Eric Hardy: "We see the official, Norman Dafoe, signal the bell and here's the start of the match. Both of these men are new to nCw and need to have an impressive win tonight in order to continue climbing the ranks here."
Kelly Fox: "Anything either of these men have done elsewhere means nothing. They've got to prove themselves to make it here in the big time."
When the bell is signaled, Marsham and Berra collide. Both men struggle for superiority as a collar-and-elbow tie-up leads to a back-and-forth exchange of knife edged chops. Marsham attains the advantage and wrenches Berra's left arm. Then, in a single motion, sends him off to the ropes. Berra uses the momentum of Marsham's Irish whip and his own speed to bounce off the ropes and return to Marsham's arms' reach.
Eric Hardy: "Here's Chris Berra! Marsham catches him for a tilt-a-whirl, but Berra completes the rotation and delivers a stiff boot into Marsham's gut. And there's Berra with a face-buster!"
Kelly Fox: "Marsham remains leveled by that face-buster and Berra's off the ropes again. What?! That rolling knee drop to the back of Marsham's skull was cruel! Marsham was shrugging off that face-buster, but Berra landed that-WOW."
Marsham remains grounded by the two fierce moves Berra has unleashed. Once more, Berra goes for a knee. He returns to the well and it bites him. As he nears Marsham and launches up once more, Marsham rolls to the side. Coincidently, Berra knee drops the canvas - driving his right knee into nothing but mat! When Berra realizes what has happened, Marsham is back up to his feet and snaps a kick off across the side of Berra's head. Fans moan as the kick echoes through the arena.
Eric Hardy: "Did you hear that?! What a deadly kick!"
Kelly Fox: "Marsham's wasting no time. He's got the pin."
With the outside leg hooked, Marsham applies the cover: One. Two. NO! Berra gets a shoulder up and forces Marsham off of him. Both men roll to their feet, but Marsham is quick to see an opening. He drop-kicks Berra's right knee and knocks him back down. Then, ensnaring that leg, Marsham proceeds to flip to the right and past Berra - stretching out the tendons of the leg in one quick shot.
Eric Hardy: "That's how Marsham operates. He sees an opening and he takes it. The man has so many submissions at his disposal and so many ways of hurting you."
Kelly Fox: "What's his plan? Berra doesn't need two legs to beat Marsham. He doesn't even need one!"
Gripping his right leg for a moment, Berra stands and greets an unexpected Justin Marsham. Marsham is startled by Berra's quick comeback and stops dead in his tracks. In a challenge to knock him back down, Berra dares Marsham to try! Marsham accepts.
Kelly Fox: "Marsham's off the ropes and he intends to take Berra down, but Berra ain't having none of that!"
A stiff clothesline is offered, but Berra stands unphased. He simply dares Marsham to try again! Again - Marsham accepts!"
Eric Hardy: "Marsham strikes with another clothesline, but Berra's taking those like a beast! I'm actually kind of surprised! But, there's no backing down from this guy! Berra challenges Marsham again!"
Kelly Fox: "Marsham's taking off to the ropes again and he's going to break his arm off on Berra."
One final time, Marsham sends a clothesline at Berra, but Chris Berra ducks and heads off to the ropes in the opposite direction. Marsham's momentum carries him to the ropes behind Berra and when the two finally meet up in the middle once more, Berra tackles Marsham down with a spear. Berra rolls through and hooks Marsham's legs, pinning him down.
One.
Two.
Marsham breaks the pin attempt, but is not free from Berra's grip. Chris Berra lifts The Epitome of Technical Finesse to his feet and snap-mares him down in the center of the ring. After securing a rear chin lock on Marsham, Berra sees an opportunity and takes it. He rakes his fingers across Marsham's face, temporarily blinding him. Berra then flips over Marsham with a neck snap and rises to his feet, cockily showing off to the crowd.
Eric Hardy: "Marsham's having a rough time controlling the cocky Chris Berra."
Reaching out to drag Marsham back up to his feet, Berra finds in the clutches of a drop-toe-hold. The Epitome of Technical Finesse offers the audience a display of why he is called just that. As soon as Berra hits the canvas, Marsham locks on a single leg Boston crab. He wrenches Berra's right knee - the same knee that he had worked on earlier in the match. Rearing backwards, Marsham applies torque to the leg and adds pressure to Berra's lower back.
Eric Hardy: "Marsham's locked on that Boston crab and-well-wait! Marsham's converted the Boston crab into an STF!"
Now with Berra's head grappled, Marsham releases his grip on Berra's leg and relinquishes the STF. Then, kicking his legs upward in somewhat of a hand-stand, Marsham brings his right knee crashing down into the left side of Berra's ribcage. Berra moans as he struggles for freedom, reaching a knee as Marsham fights to maintain his chinlock.
Kelly Fox: "Here's another display of power by Berra! He's making Marsham look like a rag doll!"
An elbow into Marsham's gut is followed by a side belly to back suplex ala Chris Berra. As soon as Marsham impacts the mat, he releases his chin lock on Berra. Both men quickly regain a vertical base and shrug off the effects of one another's moves. But this still stand is short lived. Berra sends Marsham off the ropes and then into a corner turnbuckle. Berra follows close behind, but Marsham leaps up onto the top turnbuckle and then off - twisting in mid-air - and takes Berra down with a huge flying clothesline!
Kelly Fox: "Air Marsham!"
Eric Hardy: "He came out of nowhere with that one!"
Marsham cradles Berra up for a quick pin. One. Two. With an adjustment of weight, Berra brings Marsham's shoulders flush with the canvas. One. Two. Kick-out! Marsham and Berra roll to their feet and begin exchanging lefts and right fists. Attaining the upper hand, Berra presses Marsham into a corner turnbuckle and sets him on top of it.
Eric Hardy: "Both men are struggling here. Berra climbs up top and Marsham shoves him down. Now, Marsham's perched on top! He's gonna soar and-"
Kelly Fox: "NO! Berra hits those ropes and Marsham just got crotched!"
Crippled upon the top rope, Marsham finds himself the victim of an eager Chris Berra. He soars from the top with Marsham in hand and executes a super-Berrafier! Marsham is laid out cold with the move and it looks as though Berra is going for a pin. However, he doesn't. Instead, he pulls Marsham towards the corner and quickly climbs up top. Berra leaves little time for error and performs a Shooting Star Press. It connects and Berra applies the cover!
One.
Kelly Fox: "TWO!"
THREE!?
Eric Hardy: "NO! What a close call! Almost three!"
An unsuccessful Chris Berra slaps the canvas out of a frustration and drags Marsham over to the ropes. Straddling Marsham's neck across the bottom rope, Berra applies pressure and attempts to choke him out. The official quickly interjects himself and applies the mandatory three count, threatening Berra with disqualification. The count only reaches three before Berra releases and drags Marsham back up to his feet.
Eric Hardy: "Berra snap suplexes Marsham down and then rolls back to his feet, bringing Marsham with him. He switches position and there's a rear waist-lock! German suplex and Berra rolls back to his feet. He's got a full nelson and there's a Dragon suplex-and a bridge!"
One.
Two.
Thr-NO! Marsham slips free! Chris Berra remains relentless. He reaches his feet before Marsham and begins delivering repeat boots into The Epitome of Technical Finesse as he rises. He would come to regret that when Marsham snatches one of those boots before it connects and dragon screw leg whips Berra to the canvas. With the right leg extended, Marsham drives a pair of boots of his own into the back of Berra's leg. Then, with the leg pressed against the canvas and Berra struggling for freedom, Marsham drives a single leg drop into the side of his knee.
Kelly Fox: "Look! Berra is thoughtful. He's giving Marsham a scratch!"
Eric Hardy: "A scratch?! Chris Berra just gouged in Marsham's eyes!"
Kelly Fox: "No! No! That's not what that was! Marsham is the one that just gouged in Berra's!"
A pair of eye gouges are exchanged and both men find themselves blinded. Neither man is afraid to use illegal tactics to achieve a win. The fans find the event humorous as Marsham knocks into Berra and Berra swings wildly to miss. When their sight is regained, Berra utilizes the ropes to execute a stiff clothesline, tearing Marsham back down to the canvas. Marsham is not down for long and rises right quick. Berra attempts another clothesline on Marsham, but that is not to be. Berra rushes right into the vice grip of Marsham - tripping him up - and laying him out in the center of the ring with a single leg Boston crab.
Eric Hardy: "Look at the elevation on that single leg crab! Marsham's got that same leg tied up and is making sure Berra's not going to go anywhere. Look at the pain on Berra's-"
Kelly Fox: "What pain? Berra's just thinking hard of a way to get out! LOOK, look! He's crawling to the ropes now!"
Inch by inch, Berra crawls. He fights to reach the bottom rope. His fingers are extended and he knows the only freedom he can have will be delivered by that bottom rope. Marsham, on the other hand, refuses to allow it. The official checks to see if Berra wants to submit, but Berra refuses. He will not give up! He refuses to surrender.
Eric Hardy: "Look. He's gonna tap!"
Kelly Fox: "But he's so close!"
Berra has almost reached the bottom rope. It is just out of reach and it looks as though he is going to tap. His hand rises, preparing to slap the canvas as Marsham torques the leg further and arches backward. He musters strength to pull himself forward once more - one final time! Chris Berra reaches…
Kelly Fox: "-And he reaches!"
Eric Hardy: "Marsham's forced to break the hold and there we go! Marsham's now the frustrated one. Marsham's assisting Berra up and it looks like he needs it. He's hobbling after that last hold."
Kelly Fox: "He just needs time to stretch it out. I don't know why you keep saying that kind of crap."
hard right into Marsham's jaw which staggers The Epitome of Technical Finesse. Marsham reacts by slapping Berra across the face. Spit flies out of Berra's mouth after the shot and a look of shock consumes his face. A second punch is thrown, but Marsham blocks and quickly sets Berra up in a pump-handled position.
Eric Hardy: "Pump-handled backbreaker and Marsham covers!"
One.
Tw-NO! Berra resists the third count and even most of the second, however Marsham does not let him get up. Marsham quickly ties Berra's legs up in an Indian deathlock variation, but remains standing.
Eric Hardy: "He's going for that curb stop maneuver. We've seen this before! This is just painful to watch."
A perfect curb stomp sends Berra's face directly into the canvas. Rolling free, Berra rolls over to a corner and leans against the bottom turnbuckle. Before Berra can realize, Marsham's off the ropes and his foot smashes against the side of Berra's face with a Running Facewash!
Kelly Fox: "Berra's dazed. I can't believe this. This isn't fair!"
Marsham assists Berra to his feet in the corner and then places him on the top turnbuckle. There is little to no resistance by Berra as Marsham sets him on top. The fans applaud the two as both men become overtaken with exhaustion.
Marsham starts climbing the turnbuckle, but Berra springs to life and lands a quick elbow to his face. The shot jolts Marsham and causes him to turn, allowing Berra to have a rear facelock. Berra looks to be going to for a reverse spinning DDT off the top rope, but Marsham storms forward and pulls Berra with him.
Eric Hardy: "What!? Wait! Marsham's pulled Berra off the top and-THAT'S IT!"
Marsham spikes Chris Berra down with the Wicked Driver II! With Berra laid out face down on the canvas after that shot, Marsham rolls forward and cinches in a Gorilla Clutch Hold. He locks the submission hold in and drags Berra to the center of the ring before applying a grapevine with his legs around Berra's abdomen. He tightens his grip and applies the pressure.
Eric Hardy: "This could do it."
Kelly Fox: "What! NO!"
Given to chance for escape, Berra taps out! Justin Marsham wins.
Eric Hardy: "Justin Marsham has won this match, but Chris Berra should be applauded for this amazing match. Both of these men did a great job. I love to see when new talent comes to nCw and they can put on a match like these two did. What a way to start Collision!"
{{Commercial Break}}
Eric Hardy: "That was one heck of a match we just saw. The stars here in nCw never fail to amaze me."
Kelly Fox: "I've had my doubts."
Eric Hardy: "I bet you have."
Lights fade and entrance music hits the speaker system.
"6 Gun Quota" by Seether fills the arena and Shawn Payne runs out from the back with his tag team partner, Sebastian Morris, close behind. These two men make a formidable team known as Shot in the Dark. The nCw fans will soon see if they also can operate in singles competition and take on one of the world's biggest rising stars.
Eric Hardy: "I don't see the point in Morris being down here because this is not a tag team match."
Kelly Fox: "What about Dunpork? Should he be allowed down here?"
Eric Hardy: "Why?"
Kelly Fox: "Because here he comes with Matt Margera!"
"Hold Me, Thrill Me, Kiss Me, Kill Me" blares over the PA. Matt comes out from behind the curtain, jumps on his skateboard and skates on the security railing down to the ring. At the end of the railing, he kick-flips off of it and onto the ring apron while bringing the skateboard into his right arm. He gets in the ring and sets the skateboard down into the corner. Dunpork is close behind, rushing out to the ring.
In fact - Matt Margera enters the arena with quite the entourage. When Margera reaches the squared circle, both Gordon Heath and Tom Foolery make their appearances. Both of these make their way to the ring, but are stopped by George Dunpork. The three men have a conversation on the outside as the official decides what to do.
Eric Hardy: "Mitch Kennedy is the official designated for this match. He has a lot of order to keep in this match. Matt Margera's in the ring and he's showing off his speed, just bouncing off the ropes. He's so full of energy."
Kelly Fox: "I'm thinking that Shawn Payne will be quick to shut that speed down."
Eric Hardy: "Well, we can't certainly have Matt Margera's entire entourage out here; and it looks like Mitch Kennedy is making the right decision. He's forcing some of them to leave."
Kelly Fox: "It looks like Heath and Foolery are forced to leave. Dunpork stays? Must be a first come, first serve basis here."
Signaling for the bell, the referee starts the match although neither Payne nor Margera look eager to lock-up. It would be Payne that initiates the collar-and-elbow tie-up, but Margera would attain the upper hand. He wrenches Payne's right arm and stabs the triceps with the point of his elbow. Then, with a second wrench, Margera whips him off into the ropes.
Eric Hardy: "Payne's whipped to the ropes and Margera catches him on the return. Tilt-a-whirl back-NO! Payne lands on his feet and takes Margera down with a Russian leg sweep. There's a float over."
Kelly Fox: "Shawn Payne's looking to end this match quick."
One.
Two.
There is not even an attempt for a third count. Margera slips free of Payne's pin and bounces off into the ropes. A spinning heel kick knocks Payne down and Margera is quick to continue his assault with a seated drop-kick to the side of Payne's head. This causes Payne to roll to the left and rise to a knee, eager to defend against another attack; and - as expected - Margera is there.
>Eric Hardy: "Margera tries to lock on that front face lock, but Payne is having none of that. He pushes Margera into the corner turnbuckle and he's having his way with him. There's a chop and a back elbow. There's another quick chop and-"
Kelly Fox: "Margera turns the tables with that eye gouge!"
Eric Hardy: "There's no eye gouge."
Kelly Fox: "Yes, there was. I saw it. I guess he gouged out your eye too."
Eric Hardy: "What are you talking about? Margera's taken the upper hand and is sending Payne off into the opposite turnbuckle."
When Payne is whipped to the opposite side of the ring, Margera is quick to follow. Payne tips up and passes over Margera as he narrows in. Then, with a rear waist lock, Payne attempts a German suplex. NO! Margera with a back elbow and he trades positions. Then, hauling Payne overhead, Margera bridges up with a German suplex:
One.
Two.
Thr-NO!
A series of knife edged chops welcome Shawn Payne as he gets to his feet. This causes him to back pedal into the ropes. He goes between the two ropes, looking for mercy, and shall receive it. The official separates both competitors, so that Payne can regain his composure. Margera backs away and allows Payne re-entry into the ring, but that is short lived.
Eric Hardy: "Margera rushes Payne. There's a quick back body drop and Margera goes to the outside. No. He grabs the top rope and is on the apron. Payne turns and there's a stiff forearm."
Utilizing the ropes, Margera springboards into the ring and catches Payne with a hurricanrana. Payne is hurled across the ring and Margera continues the attack. He cartwheels toward his downed opponent and then executes a picture-perfect moonsault. Then, in one fluid motion, drops forward with a flipping senton. Payne feels the effects of these moves as he grips his chest, rolling to a knee.
Kelly Fox: "Margera is like a feather. Too bad Payne is the whole freakin' bird! …a bird of prey!"
Attempting an enziguri, Margera fails. Instead, Payne ducks beneath the leg and trips the high flyer up. Then, with all of his might, Payne wheelbarrow suplexes Margera overhead! His head ricochets off the canvas with a resounding thud! Hastily, Payne rolls Margera up in a cradle: One. Two. Three?
Kelly Fox: "NO!"
Eric Hardy: "There's a kick out by Margera! You wouldn't have thought he just kicked out. Payne looks shocked and Margera is quick to his feet. Margera is laying into him with those relentless boots. It looks like-WAIT! Sebastian Morris is up on the apron!"
Kelly Fox: "He must see something we don't. Listen to him ref!"
Morris distracts the official as Payne sends a single boot up in defense. This single boot, however, is a perfectly placed low blow. It doubles Margera over and allows Payne to regain his vertical stance. With Margera dropping to a knee, Payne moves forward -ensnaring his opponent's neck in the process - and executing a perfect swinging neckbreaker. It appears that Payne is going to float over for a cover, but instead he lifts Margera to his feet. With a front face chancery, Payne snap suplexes Margera back down. The motion is fluid and quick with the small of Margera's back rebounding off the canvas.
Eric Hardy: "He should go for a pin here, but he's not. He's got Margera up again and-no! Wait. Margera wiggles free. He's locked up once again and Payne is showing his dominance. He powers Margera into the corner turnbuckle!"
Payne's control over Margera is short lived. When Payne sits Margera up onto the top turnbuckle, Margera responds with a slap to the face. That single move shocks Payne long enough for Margera grapple his opponent's head. Margera swings off the top turnbuckle and places his knees up against Payne's chest. The motion off the turnbuckle is downward in nature and Margera drops to the canvas back-first, causing Payne to descend with him and feel the abrupt shock of a chest-buster.
Kelly Fox: "That was different."
Eric Hardy: "That was a unique move! And he's covering!"
One.
Two.
Eric Hardy: "THREE!? OH MY, that was close! That was two and three quarters."
Kelly Fox: "Well, Margera's got Payne by the neck. He's whipping him to the ropes with some force!"
When Payne hits the ropes, Dunpork grabs his ankles and trips him up. While Payne does not fall, he staggers and turns to the outside man. This allows Margera to sweep in for a quick school boy roll-up. One. Two. Payne rolls through, breaking the pin, and quickly rolls Margera to the mat with an Oklahoma roll-up. One. Two. As the third count would fall, Margera shifts his weight and brings Payne's shoulders to the canvas. One. Two. Payne breaks the count just before the third and gets to his feet. Margera would get to his feet too, but Payne delivers a fierce boot into his midsection.
Eric Hardy: "What a great exchange of pin attempts! I don't think Margera was too happy that Dunpork interfered."
Kelly Fox: "That's eye for an eye."
Eric Hardy: "That's cheating no matter how you slice it. Look! Payne's got the double underhook and he's looking to finish this."
Just as quick as he cinches in the double underhook, Payne sends Margera back down with a sit-out powerbomb. He expends a ton of energy to execute this move, knowing that he must work quick to end this match. Margera is fast, but Payne intends to use some power moves to counteract that. Inevitably, he presses forward and makes certain Margera's shoulders are against the canvas.
One.
Two.
Thr-NO! Kick-out!
Forcing a shoulder up, Margera is able to free himself from Payne's grip. When Payne rises, Margera sets him back down with a ferocious clothesline. When Margera goes for a pin, however, Payne reacts with an unscrupulous headbutt. Margera stumbles back and is unable to go for the pin, allowing Payne to reach his feet.
Eric Hardy: "Payne sends himself off the ropes and-WOAH! There's a clothesline by Margera, but Payne ensnares it! He whips around and tries to pull Margera down with that crucifix! Margera fights off Payne's weight and tries to remain afloat on his feet. He struggles but he's got Payne up onto his shoulders. He's got'em!"
With Payne held in the fireman's carry position, Margera runs from one corner of the ring to the other. Then - shifting to the side - Margera drives Payne's head into the middle turnbuckle! Then, in one fluid motion, Margera spins and drops backwards - bringing his knees up against his chest - and sending Payne hurling into the air. When Payne falls, he falls chest first directly into Margera's knees once again.
Kelly Fox: "Margera's knocked the wind outta Payne again."
Eric Hardy: "WHAT?! Sebastian Morris is back on the ring apron! Send him out of there ref!"
Kelly Fox: "NO! Come'on! Dunpork! Dunpork's pulled him down!"
Both Dunpork and Morris are at war on the outside, exchanging a series of lefts and rights. The fans erupt with applause as this chaos begins. Inside the ring, it's another matter. Margera is dragging Payne up to his feet when Payne suddenly comes to life. He drops down to a knee and executes a perfect jawbreaker. The shot shocks Margera and gives Payne the opening he needs.
Crossing Margera's arms across his chest, Payne prepares his opponent for his signature finishing maneuver - The 6 Gun Quota. Yet, as Payne turns him around, Margera gets free and spikes Payne head first with a devastating DDT. Then, without a moment's thought, Margera bounds up to the turnbuckle and signals to the crowd.
Eric Hardy: "Here he comes! There's the Viva La Matt!"
The leg drop scores with perfect precision and Margera applies the lateral press.
Eric Hardy: "One!"
Kelly Fox: "Two!"
Three!
Eric Hardy: "OH! Almost three! That was -so- close!"
Kelly Fox: "Well, the official has just ejected both Morris and Dunpork from ring side! Security is escorting them to back as we speak."
Both Margera and Payne are on their knees, exchanging a series of rights and lefts much like their counter-parts on the outside. Both men look exhausted from their match so far. Continuing their fists-of-fury as they reach a vertical base, Payne is the first to repel the brawl - pushing Margera off into the ropes.
When Margera returns, Payne throws a clothesline. He telegraphs the clothesline, however, and Margera ducks beneath. A frustrated Payne turns, expecting Margera to bounce off the opposite ropes, and - instead - receives a super-kick to the mandible!
Eric Hardy: "There's the Benihana! That super-kick is deadly!"
Margera grabs the outside leg and rolls through, pressing Payne's shoulders against the canvas:
One.
Two.
Three!
Kelly Fox: "Matt Margera has won this match!"
Margera is quick to escape the ring and head up the ramp way to celebrate his victory.
{{Commercial break}}
We cut away from the Collision action as we find Carly Robbins standing next to the young up and comer in Rob Diamond. Carly looks upset especially after what happened last week, but its her job to interview and she was determined to keep a straight face and do her job.
Carly Robbins: "What's up nCw? As you totally know I'm Carly Robbins and I'm standing here next to Rob Diamond."
Robby waves into the camera.
Rob Diamond: "I was sorry to hear about what happened to you last week. I knew Steve was arrogant but I had no idea he could be that much of a jerk."
She nods her head in agreement with the young star.
Carly Robbins: "Yeah…neither did I. I just….I liked him, you know? When we were hanging out he was so sweet and caring. But it turns out it was all just an act. Turns out he was just a jerk. Something tells me he was like that all along I just wish I didn't have to learn it the hard way. But it's done now. Can we get on with the interview?"
Rob Diamond: "Yeah…I'm down. Ask the first question."